A medieval timber-framed building sitting on the church green at Clare, an unspoilt Suffolk market town. This welcoming and comfortable house exudes history.

The Birdhouse was designed in 1783 by the architect James Wyatt in a spectacular natural setting that could serve to define the Picturesque movement. Today, it is a romantic hideaway for two.

This very clever scale model of a French chateau sits on a hill above the River Trent in the middle of the Lincolnshire countryside.

Listed Grade II*, the dairy was conceived to represent a tiny Italianate chapel topped with a bell tower, and with four corner pavilions.

Our restoration of Danescombe Mine was one of the earliest conversions of an industrial building into a house. The result is a wonderful exotic hybrid in a wooded valley leading to the Tamar.

A fairytale cottage in a wild and beautiful glen, this diminutive former schoolroom makes a perfect hideaway or writing retreat for two, or even one.

Houghton West Lodge is one of four houses that guard the approaches to Houghton Hall,  one of England’s finest Palladian houses and once home to Britain's first Prime Minister.

The tower was built as a folly in 1821 with a pretty sitting room on the first floor. The third floor was added in 1943 by the Germans as an observation point, with views in every direction.

A tiny, circular tower standing on the boundary of a cricket pitch, Prospect Tower was built around 1808. Approached along an avenue of walnut trees, Lord Harris called it his “whim.”

The Summerhouse stands in beautiful woodland on the Shuttleworth Estate. The outstandingly fine brickwork of this foursquare folly is likely to date from the early 18th century.

This beautiful little pavilion has two distinct faces and has a breath-taking panorama. Approached from the wood, this rustic cottage with a thatched roof houses an elegant interior.

A Georgian folly within an outstanding Picturesque garden, the Ruin was built in about 1766. On the edge of a steep wooded gorge, it was one of several buildings scattered across the gardens.

This simple and evocative cottage, from around 1840, was built to serve one of the monumental pumping engines that sprang up as the Steam Age took on the challenge of draining the Fenland.

This tiny pavilion was a majestic grandstand for the enclosure in front. It is a mature expression in miniature of all that was best in Tudor and Jacobean architecture.

Canons Ashby is a 16th century house, hardly touched since 1710. Our Landmark is at the top of a tower, and its light and pretty rooms have views of the beautifully restored gardens.